Scenes from live shoots and signal rooms
A look at the kind of work normalvo does: studio and news cameras, festival stages, signal monitoring and portable kits in the field.
The equipment, setups and settings we work in
Live feeds depend on small, careful choices: where a camera stands, how a link is routed, what is watched on the monitors. These scenes show the settings and steps involved in our everyday jobs.
-
Handheld camera on a news shoot
Handheld work for news needs a steady operator who can follow events and keep framing usable for the gallery. Priya Nair trains newer operators on this, covering movement, breathing and anticipating the action.
-
Tripod camera in a studio
Studio cameras are set up on tripods with agreed shot sizes and talkback to the gallery. Consistent framing across the programme makes cutting between sources smoother for the director.
-
Signal monitoring at the venue
A signal engineer watches picture, audio and link health on a bank of monitors throughout transmission. Faults are spotted at the venue, where they can still be fixed before viewers notice.
-
Multi-camera festival stage
Stages are covered with several cameras at different positions so the director has wide, mid and close options. Cabling, power and talkback are laid out before doors open.
-
Portable encoder in the field
Remote contribution kits combine an encoder with bonded connections, so a reporter can go live from a location with no fixed line. The kit is tested with the broadcaster before the report starts.
-
Feed delivery desk
Delivery is planned and tracked at a desk where routes, formats and broadcaster contacts are laid out. Tom Pascoe confirms each feed has arrived before the crew packs down.
- 2012 Founded
- 5 Service areas
- 4 Team profiles